Traveling Light was constructed in exactly the same manner as the painting of the Everglades that I showed you in steps several posts back, however this painting is organized and simplified a little differently. Here the space is more open, and the composition leads you into the background. The viewer most probably enters the picture in the middle ground where the palm trees are located, is drawn into the painting by the color and palms, then into the background by the stronger background colors, and only then comes around to enjoy the foreground. In this way I've allowed the foreground to become a partner is keeping the viewer in the painting rather than a wall keeping the viewer out. The viewer is then drawn again into the middle space and so views again. The painting has a feeling of mystery and lightness and the palms feel like travelers rather than solidly planted in one place like so many palm groups.